Old new tried & true

With long term intensive projects at work and at home, 2011 doesn't look promising for studio time  Work means much frustration. Home means much disruption. So what about artistic goals for 2011? They're less concrete, more nebulous, reflecting the state of affairs - guidelines.

Something old, something new,

Something tried, something true.

Old. During studio clean up, I unearthed many ufo(ld)s. I will not finish them all nor are all of them worth finishing. More workshops mean more ufos. So I will finish at least one for the EBHQ's biannual show in 2012.
New. I may not have time in the studio, but creativity doesn't take a break. I have ideas and am itching to start new work.
Tried. Something I've done before – like redoing an exercise from a workshop. Or someone else has done before -  maybe even adopt a pattern.
True. I feel the emergence of a series.

What else is store for 2011? Three week-long workshops. End of February: Indianola, WA for Nancy Crow's Lines, Curves, Shapes & Figure-Ground Composition, Part II. Mid May: Crow Barn for Dorothy Caldwell's Human Marks. End of September: Crow Barn again for Nancy Crow's Lines/Curves/Circles, & Figure-Ground. I am backing out of Carol Soderlund's Layers upon Layers in October since I haven't dyed a thing since last fall's True Colors and probably won't.

I know, I know. At some point I must stop taking workshops and develop what I know. While I am still earning a paycheck, I will continue taking workshops. Until retirement rolls around in a few years. Where I started almost four years ago seem light years away. Even if I haven't made many tops, haven't redone workshop exercises multiple times – all is not lost. Everything is starting to meld and jell. A little voice is speaking up.