Gobble gobble

Besides the usual squirrels, moles, skunks, raccoons and deer, we have wild turkeys!

Last year a pair were prowling around the hood and were seen hopping off my neighbor's roof. Last week a family of a half dozen congregated around another neighbor's front yard. Guess they're not practicing family planning! This week I captured this one:

turkey on my front fence

They look robust and healthy but I've been advised to avoid these unfriendly creatures.

Pause after battle

taming the bedquilt

Quilting this monster bedquilt was like doing battle: fierce fighting in the middle and a few skirmishes elsewhere.

I'd walking-footed along both sides of major seams and fmq'd in the ditch within each nine-patch triangular block. As Cindy Needham says, stitch E-S-S (every stinking seam).

laid out on my bed for inspection

I've learned . . .

• the open toe walking foot lets me see enough for straighter and truer stitches;

• using the fmq foot is like driving a sports car instead of a moving van; and

• when restarting, take a stitch in place and relax the finger hold so that the first stitch is not tugged awry. 

wool batting puffs up each triangle

Quilting is on pause as I contemplate motifs: may leave the printed triangles as is, and add feathers and swirls in the larger solid areas. 

FMQ inspiration & evolution

Love the patterning on this building spied in an architectural magazine:

rendering of expansion to Mariinsky Theatre in St. Petersburg proposed by Dominique Perrault

Inspired, I stitched these samples as a warm-up for fmq:

pattern evolution from straight lines to s-curves

I find curves much easier than straight lines. Is it that way for you too?

Monster mash

This hulk by the sewing machine is the hexagonal bed quilt. You're seeing the backing.

I wanted to experience how manageable - or not - this bigger-than-queen quilt would be on my Janome 6600. So far not very -  it's like wrestling with a beast!

Stitches waver along the ditch even with the walking foot. Maybe free-motion will be better (ha!). Maybe a new machine with another two inches would do the trick. What I know for sure: un-stitching is in my future.

Record time for re-entry

Last month I started a new project with the intention of putting it in the local guild's quilt show in March. It now needs only hand stitching on the back to be done. Done ahead of time and only two months from start to finish - a new record! Wow! All other projects take years!

entry for Voices in Cloth

A three-day retreat in Healdsburg earlier this month really helped. 

morning view at Healdsburg

I had it pieced and pin basted before I went. Just decided what to do and stitched. Keeping the quilting minimal helped too.

Now comes the tough part: what title to give it? Gotta decide by the January 27th deadline for the submittal entry.

Re-entry

Life has been hectic in the past two months. I've taken two great workshops: Potpourri II with Nancy Crow at the Crow Barn and The New Complex Cloth with Jane Dunnewold at Art Quilt Tahoe. Seen two great international juried fiber arts shows. Maybe I'll catch up and post about these. Maybe not.

For now I'm happily engaged in a new project. Started with the golden pieces from the workshop:

modules from Potpourri II

and made more with some in other colors.

more modules, more colors

Re-arranged the jumbled mess,

more cohesive but flat

auditioned more colors,

looking livelier

resulting in a small half-way decent composition.

a 36x36 composition

Added red, and made more to make it bigger,

a 42x53 composition

but not necessarily better. Why the heck is that?! Needs more work!

It's not too big yet big enough to become my entry for the EBHQ quilt guild show, Voices in Cloth, coming up in March.

Gotta be big enough to hang around all those big traditional quilts.