A new year, a fresh start

Happy New Year!

Just a few days until February, so you may think I'm late with these wishes but the lunar year 4715 just started yesterday. Gung Hay Fat Choy!

Instead of giving you too much information about last year, though that might slip out, I'm concentrating on the here and now.

And now, I'm in the middle of a terrific online workshop called Photoshop Elements: Essentials 1 from the terrific Deb Cashatt and Kris Sazaki, aka the Pixel Ladies. Here's one result of the first week's lessons:  

It's a reduced image for posting on the web and it has a watermark. The piece was juried into Breakout: Quilt Visions 2016 at Visions Art Museum, San Diego. 

A much deserved shout-out goes to two machine quilting instructors: Sandra Palmer Ciolino, for setting me on the path of thinking critically about the quilting; and Jenny Lyon, for opening up and narrowing the quilting possibilities. Couldn't have gotten there without them! 

Quilt as desired

Are you someone who can be ready for a trip at the drop of a hat? Then return home and jump right back into your routine without much jet lag? I am envious because that's certainly not true for me. Out of state trips always knocks me out for a week.

This two-week trip was wonderful despite a couple of hiccups. I re-connected with a long time (not old) good friend near Detroit. Together we took a short trip to Toronto. Then I'm at the Crow Timber Barn for a workshop - Machine Quilting: Inspiration, Design, Critique with Sandra Ciolino. I'll save the hiccups for another time and get down to what you really want to know about - the workshop.

iso right thread color & weight for Golden Sol

Sandy, our fearless leader (she prefers facilitator), not only quilts beautifully, she's a great teacher! Communicative, structured, generous, caring, attentive, open, non-threatening, organized and more. The qualities you wished all your teachers had. She deserves lots of credit for setting up an environment for everyone to thrive. What a difference five days made!

We were a small group of seven with not a bad apple in the bunch! Couldn't ask for a better group of people!

Machine quilting wise, each of us started in a different place - from little to some experience. But that was okay. Sandy gave each individual plenty of attention and guidance from wherever we were. Nudged and nursed us along until we were quilting with confidence.

We were also diverse stylistically. I expected more Nancy Crow students since it was at the Barn. Instead three had never taken any workshop with her and two had taken only one workshop. So we had a diverse range of quilt tops to critique.

The critiques were a fabulous learning experience. These were not a show-and-tell what's-good-what's-not likes-dislikes kind of free-for-all. Sandy provided a timed 5-step structure adapted and revised from Art + Quilt: Design Principles and Creativity Exercises by Lyric Kinard. Of course everyone wanted to know how to quilt their tops - our reason for being there.

The critique structure really worked and we really got into the swing of it. Sandy even joked she'll packaged us up and take us on the road! I got some helpful feedback and am no longer stymied by my larger tops.

The very first exercise was another fabulous learning experience. It made us take the plunge. Jump off the cliff. But in a non-threatening way. It opened up options. Very freeing. We learned there are no rules for thread color, thread weight and stitch lines. Sure, fiddle with the thread tension until that works. Otherwise, quilt as desired! 

I've heard that many times but was clueless as to what that meant. Now I know. There is no one way, no perfect way. Explore, experiment, play. Trust your instincts as an artist and quilt as desired.

With inadequate choice of threads, I didn't get far on the circle with straight lines shown at the top. So I started on these two small black and white compositions in the workshop:

geometric stitches with white, variegated white, variegated gray and black

organic stitches with contrasting variegated thread

A lot of intensive quilting. Geometric stitches requires focus whereas organic stitches flow more. By late morning Friday, I could only doodle:

stitcher doodles 

more stitcher doodles

Many thanks to Nancy Crow for going forth with the workshop despite our small group. Without your faith, this enriching experience would not have happened. When she offers this workshop again, go for it! You won't find a better teacher than Sandy nor a better facility than the Barn.

Apropos, Perfect Happiness was the title of Robert Genn's Tuesday Twice-Weekly Letter, which led with this quote from Winston Churchill: "The way to be happy is to find something that requires the kind of perfection that's impossible to achieve and spend the rest of your life trying to achieve it." Read the rest of it here. 

Something to hoot about

Showing in the New Quilts of Northern California exhibit at Pacific International Quilt Festival (PIQF) which runs October 11-14 at the Santa Clara Convention Center in Santa Clara, California.

Spin in Brown 

Spin in Brown, detail

It's the second time I've been juried into this exhibit. Orange Rhyme made it in last year. Woot! 

I won't be able to see it there, but I hope you can. Instead I'll be having fun in Ohio at the Crow Timber Barn for a machine quilting workshop with Sandy Ciolino. Woot!

FMQ habit

I've fmq'd every single day since 7/7/2012! It has become an(other) obsession.

I've continued with Leah Day's beginner-intermediate filler designs, designs I learned about in last month's machine quilting class with Jill Schumacher and played with my own variations as well.

beginner-intermediate filler samples & more

Here's what the mini trapunto whole cloth  looks like now:

mini trapunto whole cloth in progress

Not much progress but many trial samples. On the left are the designs I'll use: from top to bottom, Jill's Waffles in the middle, Martha's Marshmallows in the hearts and Seven Treasures of Buddha around the outside.

And here's the Ohio Star:

Ohio Star in progress

Though Jill had advised me to quilt a simple border pattern because any fancy quilting won't show up, I saw it as an ideal opportunity to practice spirals and hide any wobbles. Those samples to the left are more spirals which I'll quilt in the solid blue and white areas around the star. The design is Leah Day's Swirling Water. It took multiple attempts to get this intermediate level (woot!) design right.

Since these two projects are stalled waiting for thread, I am working on this one:

pink mini whole cloth in progress

I'd barely started this one in a long-ago workshop with Sue Nickels and had shown it here, before I'd removed all the straight stitches. Not too much thinking needed since I'll quilt it similarly to this practice one:

practice for the pink one

All this practice has certainly helped my stitch quality but I'm still clueless about quilting my own improvisational work.

In mid-October I am going to the Crow Barn in Ohio for a machine quilting workshop and further fmq education from Sandy Ciolino. Check out Sandy's website and read what good things Kathy Loomis and Annette Guerrero say about her.

If you want to quilt your own non-traditional projects and improve your fmq, then you really must join me there. A great environment. We'll laugh, eat well, and learn lots too!

How do you do . . . ?

Update:
For another perspective on Sandy Ciolino's machine quilting workshop, see this post by Annette Guerrero. Annette was already an accomplished quilter when she took Sandy's workshop. What could be better than endorsement from another quilter?!


My apologies if you've seen the rest of this post before. Due to technical difficulties and user error, the rest of this post was temporarily un-published.

How do you do IT? Machine quilting I mean.

quilting Orange Rhyme

So many decisions. What designs/patterns/motifs to quilt? where to apply it?
Quilting to stand out or blend in? contrast or complement the quilt top?
And thread: color, solid or variegated, weight, fiber type.
Let's not even get into batting.
Use the walking foot? or are you comfortable with free-motion?
Quilt on a home machine? or on a mid or long arm? 
Do your own quilting? or have someone else do it? 

I've pinned my hopes on getting answers from Sandra Palmer Ciolino. She's teaching a one-week machine quilting workshop at the Crow Barn in October. 

I've already taken a basic introductory class, and a two-day workshop with Sue Nickels. I've followed Leah Day, Heather Thomas and Angela Walters online. I've stitched up many samples from The Free Motion Quilting Project. 

beginner designs

But I still don't get it - I have not mastered free motion quilting. Okay, admittedly I haven't practiced consistently. Yes, I know, practice, practice, practice! Two to three hours a day for beginners; more if not particularly gifted. Yep, that's me. 

the only finished project with fmq

My last quilt was intensely stitched with a walking foot.

lines up to 3/16" apart

Sure wasn't much fun getting the bulky thing to turn around under the machine arm. Free-motion would be the ticket to avoid that. Someone said, "don't let your skills limit what you can create". So my goal is to master fmq. 


A whole cloth quilt is not for me. Instead a perspective that'll work with abstract improvisational compositions. In time I may figure this out but I'm impatient. If fmq will never be my thing, then I want to find out soon. 

Sandy is a fabulous machine quilter using her domestic sewing machine. Check out her gallery of recent work on her website. I've heard much praise for her last workshop. She has quilted for Nancy Crow - that's alone is quite an endorsement. Plus she's a sweetheart to boot. 

There's room in the workshop. I'm hoping it'd be a go. Worst case scenario, it won't and might not be offered again. So won't you join me in Ohio for the workshop? Would be good for you. But really - full disclosure here - I'm asking in my own self interest.